Tuesday, 16 October 2012

The Way Things Go - Part 3 - Frutta, Rome


Part 3
Neurath’s Boat
curated by Frances Loeffler
Opening 17 October 2012

Featuring works by Amit Charan, Jasper Coppes, Gabriele De Santis, Frank Heath and Francesco Pedraglio.

This exhibition takes the parable of the Ship of Theseus to reflect on the philosophical conundrum of whether an object, which has had all component parts replaced, can remain fundamentally the same. In the various versions of the parable, an object is gradually remade over a period of time. The constellation of the whole endures, while the individual fragments are replaced.


At a basic level, all things are constantly in transformation. Our bodies change continuously, turning over cells many
millions of times. In artistic terms, the parable raises questions about the nature and status of the art object.
What happens when objects do not behave as objects? When a finite form becomes a constellation with multiple starting points and destinations? While they retain their status as material forms, can objects also take on the qualities of immaterial processes, becoming fluid and transitive, like the activity of thinking, storytelling or conversation?

The artworks in this exhibition allude to or are in some way implicated in this question of material reconstitution, often balancing between movement and stasis, sameness and change. Forming part of a programme of sequential exhibitions, in which each curator responds to or develops their predecessor’s presentation, the exhibition itself is a revision, a plank replaced on the open sea.

Frances Loeffler

Via della Vetrina 9

00186 Roma
Italy

Monday, 8 October 2012

BRINGING THE DEAD TO LIFE - Readings at EDINBURGH PRINTMAKERS - 18 October 7 to 9



For Bringing the Dead to Life, six artists – Chad McCail, Francis McKee, Katrina Palmer, Francesco Pedraglio, Stephen Sutcliffe and Sarah Tripp – have been asked to similarly respond to our archive in the form of short readings or performances.
This event also marks the Edinburgh book launch for AGAIN, A TIME MACHINE: FROM DISTRIBUTION TO ARCHIVE, edited by Gavin Everall and Jane Rolo.
18 OCTOBER, 7-9PM
EDINBURGH PRINTMAKERS
23 UNION STREET
EDINBURGH, EH1 3LR
TICKETS £5 EACH. PLACES ARE LIMITED SO BOOKING IS ESSENTIAL. PLEASE CALL 0131 577 2479 OR EMAILOFFICE@EDINBURGHPRINTMAKERS.CO.UK

Wednesday, 3 October 2012

Strategies for Approaching Repeating Problems
 - 6 October - QUAD, Derby

David Raymond Conroy, I know that fantasies are full of lies, 2012

Emma Cocker & Rachel Lois Clapham, Fatima Hellberg, Gil Leung, Andrew McGettigan, Francesco Pedraglio, David Raymond Conroy, Alex Vasudevan

Forming part of Accidentally on Purpose curated by Candice Jacobs and Fay Nicolson and produced in collaboration with QUAD

www.accidentalpurpose.net
6 October 2012, 11am – 5pm
The Box, QUAD, Market Place, Derby, DE1 3AS


Strategies for approaching repeating problems presents a series of performances, presentations and talks around the ideas explored in the Accidentally on Purpose exhibition at QUAD, connecting the exhibition to wider contemporary issues in cultural production and discourse.

From difficulties inherent in language and communication to the way artists and writers position themselves in relation to wider social issues, such as education and the public sphere, this event will identify an array of current or ever-present difficulties, discuss their perception from different positions and consider whether notions of progress or return are clichés or inevitable fates. 

Thursday, 20 September 2012

The Stone of Folly - Down Stairs - opening 29th September


The Stone of Folly
HOLLY ANTRUM, MIKE COOTER,  WILLIAM COBBING, KATIE CUDDON, BENEDICT DREW, MARTIN NEWTH, FRANCESCO PEDRAGLIO, HEATHER PHILLIPSON, NICHOLAS POPE, TOM WOOLNER
Curated by William Cobbing

The exhibition The Stone of Folly references Arthur’s Stone, a Neolithic site in the Golden Valley, nearby Down Stairs, which has become the subject of local folklore and forgotten histories.
The site incorporates a broken glacial boulder resting on an ancient burial chamber, where King Arthur (Owd Artur) mythically slew a giant, leaving indentations of his elbows in the stone as he fell to the ground. Over the years, the morphology of the stone has changed due to it being quarried, with the rubble being used in local buildings. The term ‘stone of folly’ comes from a medieval allegory of madness and stupidity (akin to “rocks in the head”), referenced in Hieronymus Bosch’s painting ‘The Stone Operation’ (1488), in which a surgeon is depicted removing a stone-like lump from a patient’s head, accompanied by the inscription “Master, cut the stone out quickly / My name if Lubbert Das.”
For the Stone of Folly, curator William Cobbing has invited artists to contribute works that play with the overlapping notions of fantastical narrative and shifting materiality. The exhibition will engage with ideas of superstition, alchemy, folly, entropy and flux that derive from the disjointed historical accounts of the site, and, more broadly, how we ascribe meaning to found objects and places. The exhibition questions the essence of temporal materiality, through sculpture and installation, digital, performance and text-based forms. The rural location in the Golden Valley, by the Black Mountains, also provides the potential for site-based works.

Friday, 7 September 2012

The Object Lessons - book launch - abc—art berlin contemporary, 13—16 September 2012


Part 1 — The Object Lessons is an exhibition.

Part 2 — The Object Lessons is a story inspired by an exhibition, considered through three parallel accounts told in the first, second and third person.
Part 3 — The Object Lessons is an exhibition inspired by the narratives, characters and artworks featured in a short story.

For the occasion of abc—art berlin contemporary, 13—16 September 2012, Åbäke and Francesco Pedraglio will introduce the Object Lessons (Part 2) and present the new book with Nina Beier and Marie Lund published by MOUSSE.

Friday, 17 August 2012

Jerusalem - 17/19th August 2012


Taking the form of collective journeys, JERUSALEM is an ongoing project that commissions artists to make work informed by, housed within or seeking alliance with selected architectural sites across England. 

The first chapter of JERUSALEM takes place from 17 - 19th August, 2012. Participating artists are: DENNIS MCNULTY, FRANCESCO PEDRAGLIO and CARA TOLMIE. JERUSALEM is organised by Claire Feeley and Ciara Moloney.


-
Dennis McNulty 
SOME FEELING OF LIVING IN TODAY 
2012
A performance at the University of East Anglia campus.

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Francesco Pedraglio
...AN ORDINARY HEALTHY ROMANCE, WHICH IS THE OLD STORY (AND OTHER STORIES)
2012
A performance on objects and storytelling in five scenes in various venues in London, Norfolk and Kent.

-
Cara Tolmie 
PIT
2012
A performance at Lenham Quarry, Kent.

Monday, 13 August 2012

“…an ordinary healthy romance, which is the old story (and other stories)” - performance at The Gardens - Vilnius

August 15th, 2012

Francesco Pedraglio 
“…an ordinary healthy romance, which is the old story (and other stories)”
Performance at The Gardens starts at 6.30pm