ICA
Book online www.ica.org.uk
9th June 20127pm
Paul Becker, Nathan Budzinski, Benedict Drew, Robert Carter, Andrew Kerton, Leslie Kulesh, Huw Lemmy, o F F Love, Francesco Pedraglio, Lorenzo Tebano, Jess Weisner
Auto Italia LIVE: Double Dip Concession will take the audience through several scenes considering what the phrase ‘unwatchable TV’ might mean today, how objects and movements take on a new dimension in the televisual space and how magic and trickery can be exploited through framing and live editing. The title of this episode reflects the concerns for compromise and cooperation in the production of new collaborative work. However, throughout the episode this idea will be developed and culminate in a realisation expressed by the admission that “I’m sharper, more in focus”.
This project engages directly with contemporary broadcast culture as a space for new work and considers/challenges how physical communities use the Internet to distribute ideas. Reflecting on the opportunities this creates for artists, the episode will use the formal techniques of Live TV – its camera moves, soundtrack, catch phrases and live-editing – in order to create a new space and to raise questions as to what it means to be making Live TV now. It aims to be a proposal for how artists can produce live broadcast work in collaboration and act as a unique place for artists to create their collective context and distribute their work.
Auto Italia LIVE: Double Dip Concession will take the audience through several scenes considering what the phrase ‘unwatchable TV’ might mean today, how objects and movements take on a new dimension in the televisual space and how magic and trickery can be exploited through framing and live editing. The title of this episode reflects the concerns for compromise and cooperation in the production of new collaborative work. However, throughout the episode this idea will be developed and culminate in a realisation expressed by the admission that “I’m sharper, more in focus”.
This project engages directly with contemporary broadcast culture as a space for new work and considers/challenges how physical communities use the Internet to distribute ideas. Reflecting on the opportunities this creates for artists, the episode will use the formal techniques of Live TV – its camera moves, soundtrack, catch phrases and live-editing – in order to create a new space and to raise questions as to what it means to be making Live TV now. It aims to be a proposal for how artists can produce live broadcast work in collaboration and act as a unique place for artists to create their collective context and distribute their work.
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